PreSonus Quantum HD 2

Introducing the PreSonus Quantum HD 2! Engineered with precision, this recording interface is ideal for project studios and full band recordings. Featuring high-performance converters and custom low-latency drivers, it ensure that you sound your best throughout your entire signal chain. Experience the culmination of 30-years of innovation with two powerful next-generation PreSonus MAX-HD preamps, offering transparent, low-noise performance, ideal for today's most popular microphones!

Guitarists and bassists will love the two instrument inputs, which were co-developed with Fender engineers! You also receive two re-amp outputs for sending audio from your DAW to your guitar or bass amp for re-recording and experimentation. Also, an illuminated push encoder offers versatile control over gain level and output volume. In addition to its dynamic features like auto gain, universal app control, and a complimentary 12-month subscription to Studio One+, the PreSonus Quantum HD 2 audio interface stands out as the perfect companion for larger studio and band setups!

• 20 x 24, 32-bit 192 kHz USB-C Audio Interface
• High-performance converters - 124 dB dynamic range
• Custom low-latency driver
• Two all-new, next-generation PreSonus MAX-HD preamps - +75 dB of gain
• Discreet phantom power - consistent, full power for microphones that require it
• 2 Re-amp outputs - send audio from your DAW to your favourite outboard gear and record it again
• Control your Quantum HD 2 right from Studio One and our Universal Control app, in addition to hardware – preamp gain, toggle phantom power, adjust channel settings, and more
• Full-colour, high-resolution screen
• 16 channels of ADAT Optical input (up to 48 kHz) plus stereo S/ PDIF I/O
• 2 balanced ¼-inch TRS main outputs plus 2 balanced ¼-inch TRS line outputs and 1 high-power headphone output
• DSP monitor mixer plus loopback audio

The Quantum HD 2 features two newly redesigned high-definition MAX-HD mic preamps with +75 dB of gain – making it ideally suited for today’s most popular microphones. Guitarists and bassists will love the two instrument inputs, which were codeveloped with Fender engineers. An Auto Gain button sets the perfect gain level for your microphones and instruments. You also get two re-amp outputs so you can send audio from your DAW to your guitar or bass amp and re-record it to experiment with different amps, pedals, and mic placements. An illuminated push encoder provides flexible control over gain level and output volume, making it great for self-produced recording

Our custom low-latency driver provides exceptionally low audio latencies when recording, and high-performance converters with 124 dB dynamic range let you hear and capture audio with stunning clarity and fidelity.

The Quantum HD 2 features two newly designed mic preamps with +75 dB of gain. Our high-definition MAX-HD preamps are transparent, low-noise, and digitally-controlled analogue, making them ideally suited to today’s most popular microphones.

Built by the best ears in the business, guitarists and bassists will love the two instrument inputs, co-developed with Fender engineers – industry experts who designed them specifically for guitar and bass.

Leap into 12 months of Studio One+ add-ons, exclusive content, and tools, plus a perpetual license to Studio One Professional Edition.

An Auto Gain button sets the perfect gain level for your microphones and instruments, so you get the perfect take every time.

Re-amp audio directly from your DAW and use amps and effects to sculpt your sounds. Send audio from your DAW to your guitar or bass amp and re-record it to experiment with different amps, pedals, and mic placements.

Quantum works on any mobile or desktop device, so you’re ready to record whenever inspiration strikes – whether on your phone, tablet, or in your home studio. Critical preamp functions like preamp gain, phantom power, and more can be controlled with the Quantum HD 2’s flexible front panel, or right from Studio One and the Universal Control app, so you can dial in the perfect gain staging without looking away from your recording session.

Inputs and Outputs

• Microphone Inputs: 2
• Guitar Inputs: 2
• Line Inputs: 2
• S/PDIF Input: 1
• Optical Input: 2
• MIDI Input: 1
• Monitor Outputs (DC coupled): 2
• Line Outputs (DC coupled): 2
• Re-amp outputs: 2
• S/PDIF Output: 1
• Optical Output: 2
• MIDI Output: 1
• Headphone Outputs: 1
• USB-C ports: 1
• AD / DA Conversion:
  • Supported Sample Rates: 44.1, 48, 88.2, 96, 176.4, 192
  • Bit Depth: 32

Analogue Inputs

• Microphone (CH 1 - 2):
  • Connector Type: 2x Combo-style, XLR / TRS
  • Max Input: +18 dBu (balanced, minimum gain)
  • Gain Range: 0 dB to +75 dB
  • Frequency Response: 20 Hz to 20 kHz, +/- 0.1 dB (unity gain, reference 1 kHz)
  • Dynamic Range: 116 dB (A-weighted, minimum gain)
  • THD + N: 0.002% (1 kHz, minimum gain)
  • EIN: -130 dBu (max gain, 150 Ohms, 20 kHz BW, A-weighted)
  • Input Impedance: 1600 Ohms
• Line In (CH 1 - 2):
  • Connector Type: 2x Combo-style, XLR / TRS
  • Max input level: +18 dBu (balanced, minimum gain)
  • Frequency Response: 20 Hz to 20 kHz, +/- 0.1 dB (unity gain, reference 1 kHz)
  • Dynamic Range: 118 dB (A-weighted, minimum gain)
  • THD + N: 0.001% (1 kHz, minimum gain)
  • Input Impedance: 10K Ohms
  • Digital Trim: -10 to +10 dB
• Instrument In (CH 1 - 2):
  • Connector Type: 2 x 1/4-inch Female
  • Gain Range: -7 dB to +68 dB
  • Max input level: +21 dBu (unbalanced, minimum gain)
  • Frequency Response: 20 Hz to 20 kHz, +/- 0.1 dB (unity gain, reference 1 kHz)
  • Dynamic Range: 111 dB (A-weighted, minimum gain)
  • THD + N: 0.003% (1 kHz, minimum gain)
  • Input Impedance: 1M Ohms

Analogue Outputs

• Main Out (CH 1 - 2):
  • Connector Type: 2x 1/4-inch Female, TRS
  • Max Output Level: +18 dBu (Balanced)
  • Frequency Response: 20 Hz to 20 kHz, +/- 0.2 dB (unity gain, reference 1 kHz)
  • Dynamic Range: 123 dB (A-weighted)
  • THD + N: 0.001% (1 kHz, +4 dBu)
  • Output Impedance: 51 Ohms
  • Trim Range: -inf dB to 0 dB
• Line Out (CH 3 - 4):
  • Connector Type: 2x 1/4-inch Female, TRS
  • Max Output Level: +18 dBu (Balanced)
  • Frequency Response: 20 Hz to 20 kHz, +/- 0.2 dB (unity gain, reference 1 kHz)
  • Dynamic Range: 123 dB (A-weighted)
  • THD + N: 0.001% (1 kHz, +4 dBu)
  • Output Impedance: 51 Ohms
  • Trim Range: -inf dB to 0 dB
• Re-Amp Out (CH 5 - 6):
  • Connector Type: 2x 1/4-inch Female, TRS
  • Max Output Level: +4 dBu (Balanced)
  • Frequency Response: 20 Hz to 20 kHz, +/- 0.3 dB (unity gain, reference 1 kHz)
  • Dynamic Range: 117 dB (A-weighted)
  • THD + N: 0.001% (1 kHz, +4 dBu)
  • Output Impedance: 100 Ohms
  • Trim Range: -inf dB to 0 dB
• Headphone Out:
  • Connector Type: 1x 1/4-inch Female, TRS Stereo
  • Max Output Level: 11 dBu (50 Ohms)
  • Frequency Response: 20 Hz to 20 kHz, +/- 0.3 dB (unity gain, reference 1 kHz)
  • Dynamic Range: 118 dB (A-weighted)
  • THD + N: 0.001% (1 kHz)
  • Output Impedance: 33 Ohms
  • Trim Range: -inf dB to 0 dB

Digital I/O

• S/PDIF I/O:
  • Connector Type: 2x Phono RCA (1 in , 1 out)
  • Supported Sample Rates (kHz): 44.1, 48, 88.2, 96
• ADAT I/O:
  • Connector Type: Optical TOSLINK (2 in, 2 out)
  • Format:
    • ADAT Digital Lightpipe with S/MUX II
    • 16 channels at 44.1/48 kHz
    • 8 channels at 88.2/96 kHz
• MIDI I/O:
  • Connector Type: 2x 5-pin DIN (off DB-9)
• Synchronization Sources:
  • Sources: Internal, ADAT, S/PDIF

Electrical

• Connector type: DC Connector
• Configuration: Internal, Universal
• Power Input: 12V DC, 2A

Mechanical

• Length: 8.5” (215mm)
• Width: 7.5” (190mm)
• Height: 1.9’’ (48mm)
• Weight: 2.9lb (1.32 kg)